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                  <text>Nel 1887 Vicenza ospita il XIX Congresso degli Alpinisti Italiani che propone la visita a luoghi "interessanti per amenità di postura, di antichi ricordi storici e ancor recenti memorie patriottiche, per speciali bellezze artistiche, per il fiorire di ricche industrie ... se il mio compagno di viaggio avesse saputo che c'erano da vedere tante bellezze dell'arte e della storia sarebbe venuto prima". Ma oggi ce ne sono molte di più!</text>
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                <text>Compilatore: Ivana  De Toni</text>
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                <text>In occasione della Giornata Internazionale dei Musei, il Museo Civico Dal Lago ha organizzato un convegno dopo la lunga chiusura forzata dei musei per raccontare lo stato dell'arte</text>
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                  <text>straordinari incontri dal vivo con il vicino che non ti aspetti</text>
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              <text>Patrizia Laquidara (cantante), Carla Urban (giornalista), Erica Ceola (storica dell’arte), Patric Longhi (clown terapeuta), Morgan Palmas (conduttore) oltre a 95 persone presenti in sala. </text>
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                <text>Varachebagolo è un progetto di Andrea Ballarin, Morgan Palmas e Ugo Resteglian, per ritrovarci ad ascoltare e parlare su un determinato tema, rigorosamente dopo cena, tra conoscenti e sconosciuti.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Questa serata ha avuto come tema i benefici della comunicazione, visti attraverso i racconti e le canzoni degli ospiti e le chiacchiere con il vicino di sedia, ma almeno a un metro di distanza.&lt;br /&gt;&lt;br /&gt;La serata ha avuto inizio con &lt;strong&gt;&lt;a href="http://collezioni.museialtovicentino.it/files/show/789"&gt;Patrizia Laquidara&lt;/a&gt;&lt;/strong&gt; che ha salutato il pubblico con una canzone di Giorgio Gaber, "&lt;em&gt;Non insegnate ai bambini&lt;/em&gt;", e si è poi esibita con brani suoi, come &lt;em&gt;L'anema se desfa&lt;/em&gt; da "Il canto delle Anguane" esibendosi senza accompagnamento musicale.&amp;nbsp;&lt;br /&gt;Ha letto anche un racconto ispirato dalle sue memorie di bambina, quando viveva a Catania, che fa parte di un libro di cui è prossima la pubblicazione e sul quale si baserà anche il nuovo spettacolo.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Carla Urban&lt;/strong&gt;, giornalista e conduttrice televisiva, ci racconta del suo lavoro e di come abbia a un certo punto deciso di stabilirsi a Schio, di cui adora il paesaggio con le colline del Tretto e del Faedo. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Erica Ceola&lt;/strong&gt;, giovane storica dell'arte, ci accompagna in un ragionamento sul ruolo che hanno oggi i social anche nel promuovere i valori estetici del nostro consolidato patrimonio artistico e ci racconta del caso, perché di questo si tratta, della Ferragni agli Uffizi, museo simbolo di Firenze e scrigno della pittura italiana. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Patric Longhi&lt;/strong&gt; è un clown-terapeuta per passione. Tutti sappiamo cosa sia un clown e cosa intendiamo quando usiamo la parola terapia. Lui sa mettere assieme questi due termini, e, facendolo, ha realizzato un suo sogno di bambino. &lt;br /&gt;&lt;br /&gt;Morgan Palmas, che ha condotto la serata sempre con la mascherina indossata, ci ha sfidato con &lt;strong&gt;una serie di espressioni dialettali&lt;/strong&gt; di cui si sta perdendo memoria, perché non si usano più. &lt;br /&gt;"A noi - dice lui stesso a nome del gruppo Varachebagolo - interessa la conservazione delle sfumature della ligua, che è la cosa bella del dialetto e di tutte le lingue."&lt;br /&gt;Chi era in sala le ricordava quasi tutte. Ma quali sono le espressioni vicentine che ci propone?&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;em&gt;A Toni ghe manca un bojo&lt;/em&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;La xé na betonega&lt;/em&gt; (deriva da erba betonica un tempo molto diffusa)&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Muso duro e bareta fracà&lt;/em&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Che deghejo &lt;/em&gt;(deriva probabilmente dallo spagnolo, che hanno abitato a lungo nei territori italici)&amp;nbsp;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Te molo na tega&lt;/em&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Ogni venere sera el se strafanta sempre&amp;nbsp;&lt;/em&gt;(anche Meneghello usa &lt;em&gt;strafantarse&lt;/em&gt; per indicare chi si veste in modo stravagante)&amp;nbsp;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Te si na petola&lt;/em&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Varda che anda che gà queo&amp;nbsp;&lt;/em&gt;(di solito per indicare l'ubriaco che cammina ondeggindo)&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;El seita finfotare&lt;/em&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;A go un fià de gnagnera&lt;/em&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Se non conosci il loro significato o vuoi rivedere la performance vai al &lt;a href="http://collezioni.museialtovicentino.it/items/show/566"&gt;video&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Gli interventi degli ospiti sono disponibili a questi link&lt;br /&gt;&lt;a href="http://collezioni.museialtovicentino.it/items/show/569"&gt;Carla Urban&lt;/a&gt;&lt;br /&gt;&lt;a href="http://collezioni.museialtovicentino.it/items/show/568"&gt;Erica Ceola&lt;/a&gt;&lt;br /&gt;&lt;a href="http://collezioni.museialtovicentino.it/items/show/567"&gt;Patric Longhi&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;La scenografia è stata curata da Catia Nardi, titolare di Catia Visual.</text>
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